Abstract
The 1985 exhibition Les Immatériaux – curated by French philosopher Jean-François Lyotard and Thierry Chaput at the Centre Pompidou in Paris – is cast as a pre-1989 event that foresaw the advent of globalisation, as a melancholic anticipation of the changing role of contemporary art in this era of accelerated exchange, and as a moment in a history of exhibitions in the wake of what was called, until recently, aesthetics.
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