Curating by Numbers - Tate Research Repository
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Curating by Numbers



This paper looks back at the author’s curatorial practice, with a focus on her ‘number shows’ and their randomly ordered ‘card catalogues’, from 1969 to 1974. These were related to the blurring of identities between artists, curators, and critics in conceptual art of the 1960s, and anticipated some more recent exhibition strategies.


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