Abstract
In this paper Majella Munro proposes that Zen can be applied as a transnational intellectual framework for the analysis of post-war art. This is tested on the work of the Swiss-born Brazilian artist Mira Schendel, a sensitive and conscientious recipient of Zen influence, in order to clarify her relationship to Zen concepts and practices, and to describe Zen’s contribution to the cultural diversity of Brazil.
Files
This is a metadata only record.