Henry Fuseli and gothic spectacle - Tate Research Repository
Skip to main content
Shared Research Repository
Journal article

Henry Fuseli and gothic spectacle



In this essay, Martin Myrone explores aspects of the art of the Swiss-born painter Henry Fuseli (1741-1825) in the context of the transformation of the public culture of art in late-eighteenth-century Britain. Considering Fuseli's paintings of invented subjects exhibited at the Royal Academy in the 1780s, and his highly idiosyncratic and imaginative interpretation of Miltonic and other source material, the essay argues for the emergence in his work of a distinctively spectacular aesthetic, allied in its narrative effects and thematics both to gothic literature and to the new technologies of popular entertainment, notably the Phantasmagoria.


This is a metadata only record.