Abstract
The intertextual links between Stokes’s unpublished essay ‘In Short’ (1942) and his other writings of the period justify his own estimation of it as ‘a summing up of all I have ever thought incorporating experience of six years of daily psycho-analysis’. This and other texts, now found among Stokes's papers in the Tate Archive, reveal him, especially in the first half of his career, to be a writer continually engaged in a retrospective integration and adjustment of idea and expression.
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