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Journal article

Elasticity of Exhibition

2009

Abstract

This paper looks at a number of exhibitions planned and installed by artists from the late 1950s until the present. From these comparisons we see the extraordinary elasticity that the notion of exhibiting can provoke, ranging from an (apparently) empty gallery to the exhibition as an elaborate pretence, from taking the art work to pieces and changing it into something else to an ‘endless’ proposition for engaging the creativity of the viewer

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