Unconcealment - Tate Research Repository
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Journal article

Unconcealment

2009

Abstract

Sophie Richard’s analysis, published posthumously in 2009, of the role played by the networks of artists, dealers, museum curators, collectors and critics in the development of conceptual art in Europe between 1967 and 1977 is introduced, with particular emphasis on the role of Konrad Fischer as the pre-eminent ‘dealer curator’ of the period.

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