‘Everything Was Getting Smashed’: Three Case Studies of Play and Participation, 1965–71 - Tate Research Repository
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‘Everything Was Getting Smashed’: Three Case Studies of Play and Participation, 1965–71

2014

Abstract

In this essay Hilary Floe considers instances of chaotic ‘over-participation’ in three art exhibitions that took place between 1965 and 1971, revisiting utopian notions of play to argue for a more nuanced understanding of its social possibilities.

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