FAQ: Tate repository and the Shared Repository beta service

1. What content is held in the Tate repository?

The repository contains journal articles, book chapters, conference papers, books, research reports book reviews, and a few other research outputs.

2. Is everything available to download?

Where a full-text copy of the item is held, it is available to read and download for your research. Sometimes publisher licence restrictions do not allow us to hold the full file; in those cases, an ‘Official URL’ link usually leads to the full item.

3. What kinds of research does Tate do?

Research underpins much of what we do at Tate, from staging exhibitions to collecting artworks and finding out how best to care for them, and supporting our visitors to engage and learn. Research at Tate involves a range of subject disciplines, including art history, conservation and conservation science, collection management, education and museology, as well as a variety of research methods and outputs.

Projects often bring together specialists through interdisciplinary collaborations and partnerships with organisations such as museums, universities, other Independent Research Organisations and industrial partners. Research helps us encourage new knowledge, address practical problems, develop new tools for practice, and allows us to contribute to broader debates.

4. Who can deposit content?

Items in the repository have at least one creator or contributor who is a member of Tate staff. Material not produced by or in association with Tate staff is not eligible for inclusion.

5. What is the ‘relevance’ order of search results?

When sorted by relevance, results are displayed according to an algorithm taking account of the frequency and position of the search terms within each item and across all content. Your search term might occur in the files as well or instead of the displayed metadata.

Note you can change the display order to show search results by date of publication.

6. Can I re-use the items for my research?

Research outputs are made available in the Repository on terms agreed with the authors/depositors of the outputs. As a user you may use the items only if you abide by the licence or other terms under which it has been released, e.g. the terms of a specific Creative Commons Licence. Where no licence is displayed, unless indicated otherwise items made publicly available in the repository are protected by copyright with all rights reserved.

Sometimes individual files have their own file-level licences, and these may be different for each file where there's more than one. Look for licence information at the record level and also at the file level. Licence information is only displayed where known.

7. What is the Shared Research Repository?

The Tate repository is part of a collaborative service which brings together the research outputs of a number of Independent Research Organisations (IROs), i.e. non-Higher Education organisations in receipt of public funding for their research. The Shared Research Repository project aims to provide a window on the research produced by such organisations through a single point of access and discovery.

Each pilot partner has its own repository which can be searched separately, but you can also explore the combined content of all partners by clicking on the green ‘Shared Research Repository’ bar at the top of each page. When a search is done at this level, results indicate the museum, gallery, archive or library responsible for that research.

8. What IROs are involved in the pilot service and how is it managed?

The six IROs are the British Museum, Tate, Royal Botanic Gardens Kew, MOLA (Museum of London Archaeology), National Museums Scotland and the British Library. The British Library hosts the shared service and is exploring options for extending the service from 2020 onwards.

9. What research outputs do the other repositories contain?

We are all UK cultural or heritage organisations – museums, galleries, archives, libraries and data institutions, and our research is often based around our collections. Items include “German music broadsheets, 1500 – 1550” (BL, book chapter); “Wild and Majestic: Romantic views of Scotland” (NMS, exhibition); A Blake drawing rediscovered and redated” (Tate, journal article); “A revision of Scleria (Cyperaceae) in Madagascar” (RBG Kew, journal article); “Pudding Mill Lane (Crossrail XSK10)” (MOLA, archaeological dig dataset); “Dolphins at the British Museum: Zoomorphic Calusa Sinkers” (British Museum, journal article).

10. How can I get in touch about an item in the Tate repository?

For general enquiries, use the contact information in the repository’s Contact page. If you are the owner of the copyright or related rights in any of the material in the repository and you believe that use of this material infringes your intellectual property or any other rights, or you believe that the material may be subject to a third party ownership or another legal claim, please contact us in writing as indicated in the Contact page.

To enquire about an item held in any of the other repositories, consult the Terms of Use at the bottom of each repository.

11. What are the next steps for the repository and the shared service?

The Beta repository service launched in November 2019 and will continue as Beta for the next few months. All six partner organisations will continue to add content, some additional features will be introduced, and we will evaluate the impact and benefits of the project so far. The British Library is also exploring options for moving to a full repository service from April 2020.

12. How can I find out more?

We would be delighted to tell you more about our repository and the pilot shared service. Simply send us an email to get in touch.

Abstract expressionism: a critical record by David Shapiro, Cecile Shapiro

The Carnegie International. Pittsburgh, Carnegie Museum of Art

Abstract expressionism by David Anfam

Jackson Pollock by Ellen G. Landau