Screen Politics: Pop Art and the Atelier Populaire
Resource type
Journal article
Creator (person)
Considine, Liam
Date published
2015
Abstract
Examining the technical and symbolic impact of pop art on the posters produced at the Atelier Populaire during the events of May 1968 in France, this paper highlights the use of pictorial devices associated with pop, such as the opaque projector and silkscreen, and explores the crossover between the production of the Atelier and the work of French artists including Bernard Rancillac, Guy de Rougemont and Gilles Aillaud.
Journal title
Tate Papers
Issue
24
Publisher
Tate
Place of publication
UK
ISSN
1753-9854
Rights statement
In Copyright
Collection