Richard Hamilton’s The annunciation
Resource type
Journal article
Creator (person)
Singer, Fanny
Date published
2010
Abstract
This article traces Richard Hamilton’s use of photography and digital technologies to subtly undermine verisimilitude in his print The annunciation 2005. Making numerous comparisons to Fra Angelico’s San Marco Annunciation, the work that inspired Hamilton’s print, the article aims to deconstruct the latter both technically and iconographically.
Journal title
Tate Papers
Issue
14
Publisher
Tate
Place of publication
UK
ISSN
1753-9854
Rights statement
In Copyright