David Hockney’s Early Etchings: Going Transatlantic and Being British
Resource type
Journal article
Creator (person)
Hammer, Martin
Date published
2017
Abstract
David Hockney’s early autobiographical prints, My Bonnie Lies Over the Ocean 1961 and the series A Rake’s Progress 1961–3, are examined in relation to contemporary developments in American art and literature, the artist’s affinities with his British modernist contemporaries and predecessors, and other aspects of his emerging sense of artistic and sexual identity.
Journal title
Tate Papers
Issue
27
Publisher
Tate
Place of publication
UK
ISSN
1753-9854
Rights statement
In Copyright
Collection