Lawrence Alloway’s Spatial Utopia: Contemporary Photography as ‘Horizontal Description’
Resource type
Journal article
Creator (person)
Date published
2011
Abstract
The mobility of art was a concept central to British critic Lawrence Alloway’s understanding of the role of visual imagery in contemporary life. Once photography became established as an art form, the definition of that mobility expanded significantly. The current high visibility of the medium is an opportunity to re-examine the diverse cultural contexts of visual signs and their users.
Journal title
Tate Papers
Issue
16
Publisher
Tate
Place of publication
UK
ISSN
1753-9854
Rights statement
In Copyright
Licence
CC BY-NC 4.0
