As Seen: Modern British Painting and Visual Experience
Resource type
Journal article
Creator (person)
Pepperell, Robert
Hughes, Louise
Date published
2015
Abstract
During the twentieth century several important British artists began to paint features of visual experience rarely ever painted before, including subjective curvature, double vision and the body seen from the first person viewpoint. In doing so they broke with hundreds of years of pictorial convention, yet their experiments remain largely unrecognised.
Journal title
Tate Papers
Issue
23
Publisher
Tate
Place of publication
UK
ISSN
1753-9854
Rights statement
In Copyright