From the Green Box to Typo/Topography: Duchamp and Hamilton’s Dialogue in Print
Resource type
Journal article
Creator (person)
Thirkell, Paul
Date published
2005
Abstract
This paper examines Marcel Duchamp's use of the collotype printing process for publishing the contents of his Green Box and Boà®te-en-valise in the 1930s. It subsequently traces the linguistic and graphic interpretations of this work by the British artist Richard Hamilton in his 1960 The Green Book and in his recent fusion of this work with the 'topography' of the Large Glass in the print Typo/Topography, published in 2003.
Journal title
Tate Papers
Issue
3
Publisher
Tate
Place of publication
UK
ISSN
1753-9854
Rights statement
In Copyright
Collection