Edward Hopper and British Artists
Resource type
Journal article
Creator (person)
Fraser Jenkins, David
Date published
2006
Abstract
This article examines the changes in Edward Hopper’s painting style during his stays in Paris between 1906 to 1910, and compares his work to that of certain British contemporaries, notably Walter Sickert, Gwen John and J.D. Fergusson. The comparison highlights Hopper’s response to the legacy of Impressionism and his highly individual approach to the sensuality of life in the modern city.
Journal title
Tate Papers
Issue
6
Publisher
Tate
Place of publication
UK
ISSN
1753-9854
Rights statement
In Copyright
Collection