Unconcealment
Resource type
Journal article
Creator (person)
Morris, Lynda
Date published
2009
Abstract
Sophie Richard’s analysis, published posthumously in 2009, of the role played by the networks of artists, dealers, museum curators, collectors and critics in the development of conceptual art in Europe between 1967 and 1977 is introduced, with particular emphasis on the role of Konrad Fischer as the pre-eminent ‘dealer curator’ of the period.
Journal title
Tate Papers
Issue
12
Publisher
Tate
Place of publication
UK
ISSN
1753-9854
Rights statement
In Copyright