August Sander’s Portraits of Persecuted Jews
Resource type
Journal article
Creator (person)
Washton Long, Rose-Carol
Date published
2013
Abstract
Countering the characterisation of August Sander’s work as politically neutral, Rose-Carol Washton Long argues that the ‘The Persecuted’ and ‘Political Prisoners’ portfolios from People of the Twentieth Century testify to the connections the photographer had with figures on the left during the interwar years and by extension to his own leftist values.
Journal title
Tate Papers
Issue
19
Publisher
Tate
Place of publication
UK
ISSN
1753-9854
Rights statement
In Copyright