Lost in the Crowd: Blake and London in 1809
Resource type
Journal article
Creator (person)
Date published
2010
Abstract
This article explores why William Blake’s solo exhibition of 1809 has been such an important source for understanding his attitude towards past art by locating the show within London’s rapidly expanding culture of Old Master displays. Blake’s exhibition is revealed as a carefully choreographed riposte to shifts in the consumption of art in the capital.
Journal title
Tate Papers
Issue
14
Publisher
Tate
Place of publication
UK
ISSN
1753-9854
Rights statement
In Copyright
Licence
CC BY-NC 4.0
