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2016
Book chapter
Dances with intellectual property: museums, monetization and digitization
In 2006, and again in 2013 in a second edition, I wrote an intellectual property management guide for museums, which was published by the World Intellectual Property Organization (WIPO). Part II, and in particular Chapter 6 (Pantalony 2013), were devoted to identifying potential business opportunities for museums in relation to...Pantalony, Rina Elster
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2012
Book chapter
Facsimile versus white line: an Anglo-German disparity
This chapter explores how Ford Madox Brown took full advantage of historical source-books when working on his paintings in the 1840's and how he continued this process of consultation when he turned to illustrating the Dalziel's Bible Gallery in the 1860's. For him depicting scenes from the Bible was not...Vaughan, William
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2011
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2014
Book chapter
Old media, new media? Significant difference and the conservation of software-based art
This chapter considers the question of whether the conservation of software-based artworks differs significantly from traditional time-based media works of art. In contrast, software is a more diverse, non-standardized, and fast-moving technological environment, and the systems which make up software-based artworks are often more diffuse. The difference for software is...Laurenson, Pip
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2012
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2017
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2016
Book chapter
American Gothic Art
Grunenberg, Christoph
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2016
Book chapter
Lewis as visual artist
Humphreys, Richard
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2015
Book chapter
The Jack of Diamonds Disputes at the Courtauld Institute, London (24 October and 7 November 2014)
The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved...Budanova, Natalia ; Higgins, Helen
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2015
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2013
Book chapter
The museum of now
Cutler, Anna
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2011
Book chapter
Parkour Vision
Curtis, Layla
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2013
Book chapter
Invasions and fakes: Susan Hiller in conversation with Alexandra Kokoli
This chapter presents the conversation between Alexandra Kokoli, Senior Lecturer in Visual Culture, Fine Art, Middlesex University, and Susan Hiller, an internationally renowned artist living and working in Berlin and London. Discussion revolves around spiritualism and technology. The chapter focuses on Susan Hiller's Auras: Homage to Marcel Duchamp, an installation of...Hiller, Susan ; Kokoli, Alexandra
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2017
Book chapter
Peculiar pleasure in the ruined Crystal Palace
In 1951 the filmmaker and poet James Broughton moved to London from San Francisco. At that time he was beginning to garner a reputation for his short, whimsical, films, which often made use of outmoded costumes and decaying public spaces. One important reason he gave for moving was the idea...Boaden, James
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2010
Book chapter
For one and all: participation and exchange in the archive
Archives have become an increasingly well-known and used resource, not only for many academic disciplines but also for a more general audience. From being perceived as an unfamiliar specialist field, archives have now acquired both greater currency and a more diverse range of meanings. A significant catalyst for this has...Breakell, Sue
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2010
Book chapter
The body of the blasphemer
Myrone, Martin
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2017
Book chapter
James Barry's "Hairbreadth niceties": risk, reward and the reform of culture around 1770
In his vicious and lengthy review of Edward Fryer’s Works of James Barry, Esq. Historical Painter (1809), Richard Payne Knight was at some pains to detail the genesis of what he considered to the painter’s ‘radical error’: the profoundly perverse narcissism or ‘morbid vanity’ that seemed to fuel the Irish...Myrone, Martin
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2012
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2009
Book chapter
Blake et le gothique
Myrone, Martin
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2013
Book chapter
William Etty: ‘A child of the Royal Academy’
The discourse of the 'British School' which took shape around 1800 was both a step towards, and a means of apprehending the anticipation of, the artistic field in its modern formation. This chapter elaborates the regulations surrounding entry into the Schools and progression through them, in which works of art...Myrone, Martin
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2011
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2013
Book chapter
Gothic art’s cinematic legacies
Myrone, Martin
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2013
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2016
Book chapter
William Hogarth
Myrone, Martin
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2017
Book chapter
The Chatterton of sculpture': Thomas Procter and the martyrology of the British School
The name of the sculptor and painter Thomas Procter does not feature prominently in modern accounts of British art at the end of the eighteenth century. The substantial modern biographical account of Procter appears in Thomas Brayshaw's antiquarian history of the parish of Giggleswick in Yorkshire, where the artist was...Myrone, Martin
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1988
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2016
Book chapter
Engraving’s third dimension
Myrone, Martin
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2015
Book chapter
William Blake’s sodomites
Myrone, Martin
