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2016
Book chapter
Dances with intellectual property: museums, monetization and digitization
In 2006, and again in 2013 in a second edition, I wrote an intellectual property management guide for museums, which was published by the World Intellectual Property Organization (WIPO). Part II, and in particular Chapter 6 (Pantalony 2013), were devoted to identifying potential business opportunities for museums in relation to...Pantalony, Rina Elster
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2012
Book chapter
Facsimile versus white line: an Anglo-German disparity
This chapter explores how Ford Madox Brown took full advantage of historical source-books when working on his paintings in the 1840's and how he continued this process of consultation when he turned to illustrating the Dalziel's Bible Gallery in the 1860's. For him depicting scenes from the Bible was not...Vaughan, William
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2011
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2014
Book chapter
Old media, new media? Significant difference and the conservation of software-based art
This chapter considers the question of whether the conservation of software-based artworks differs significantly from traditional time-based media works of art. In contrast, software is a more diverse, non-standardized, and fast-moving technological environment, and the systems which make up software-based artworks are often more diffuse. The difference for software is...Laurenson, Pip
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2012
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2017
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2016
Book chapter
American Gothic Art
Grunenberg, Christoph
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2016
Book chapter
Lewis as visual artist
Humphreys, Richard
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2015
Book chapter
The Jack of Diamonds Disputes at the Courtauld Institute, London (24 October and 7 November 2014)
The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved...Budanova, Natalia ; Higgins, Helen
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2015
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2013
Book chapter
The museum of now
Cutler, Anna
